Our Journals: Oonagh Bush

Our Journals: Oonagh Bush
I am an English photographer who specialises in pregnancy/motherhood photography. I have an amazing partner and I am a mother to three beautiful children.
I was born into a very creative, colourful and chaotic family in London, but grew up in Kent, where I went to a Steiner school in the countryside. When I was thirteen, I moved to the south of France, to a 17th century old watermill in the Pyrenees mountains. It had no running water, heating or electricity. Just me and my mother. She used to cut down wood with a chainsaw for the fire, and wash our clothes in the stream. The water in the stream would sometimes flood right up into the house, taking our belongings (and once our dog Merlin!) with it – the stories I have from living there are completely unforgettable and feel like a surreal dream. After a few years of attending a French state school, which was full of academia and concrete, I realised that, as I had learned to speak French fluently, there was nothing left for me in rural France, so I did my GCSEs by a correspondence course and applied to go to art college back in England. However, during my exams and just before my sixteenth birthday, my mother was diagnosed with colon cancer. Despite this sudden shocking reality, she insisted that I still go to art college, where I graduated after two years with my BTEC in Art and Design and then went on to do a degree at The London College of Fashion where I studied Fashion Styling and Photography. Then, on a hot summer's day in June, after years of immense courage, strength, healing, searching and determination, my mother died. I was in my final year of studying, and I had just turned twenty-one. It was a moment that completely changed my life forever.
Despite her death, and while navigating the world with my new lifelong friend named ‘Grief’, I managed to complete my degree and began to travel. India, Indonesia, France, Morocco, America – I took her ashes with me and spread them all over. I threw some out of a moving train in India and did a ceremony with a Balinese priest in Bali. These moments in honour of my mother and her spontaneous spirit were monumental for my healing.
After years of travelling and searching – not only for my mother, but also I now realise, for myself – I settled back in London and started experimenting more with photography. I knew that I wanted to do something meaningful, but I could never quite figure out what that could be, as it also had to have the prospect of making money too. My sister-in-law, and soon after, a close friend, became pregnant and they both asked me if I would photograph them. This is when the seed was planted.
Then, almost five years ago now, I met my partner Laurie, who already had two small children – Bart, who was three, and Summer, who was one. Their biological mother had died from cancer too. The journey we have all been on as a family has been just as colourful and chaotic as the family I was born into. It’s been challenging, heart expanding, triggering, blending and full of love. A cosmic coincidence: Laurie and I went to the same art college, but we never spoke, not once. We were in the same year, and I do remember him, like a warm, blurry figure in the far distance, but our paths never crossed back then. The timing wasn’t right. Now here we are, almost a decade later, the five of us. Bart and Summer asked if they could call me mummy just as I fell pregnant with my son, Phoenix, so I became a mother before I had even given birth. Life, as always, takes many unexpected turns.
We are currently moving to a house deep in the forest in East Sussex, which feels like a coming home of sorts. It's an isolated, strange little house – down a dirt track, which echoes sentiments and memories of the mill in the rural south of France. Our children now all go to a Steiner school too.
Both my parents were/are incredible photographers, so I have been surrounded by dark rooms and cameras my whole life. The smell of chemicals from the darkroom feels so nostalgic to me. My father is an amazing portrait photographer, who has an eye like no other and has taught me so much over the years. After every photoshoot I did, he would be my editor, where he would critique me, which helped me grow as a photographer. In fact, he is the one who introduced photography to my mother, who then went on to develop her own style and would develop and hand-print her own photos using traditional methods of processing. This led to her becoming a Fellow of the Royal Society of Photographers.
Absolutely. Giving birth to my son changed everything for me. The birth was incredible but dramatic. I remember coming home from the hospital thinking ‘why did no one tell me it would be like this?!’. Postpartum does not look like the images I take. There is so much I didn’t know then, that I do now. There is a lot in between that just isn’t captured. Those first days and nights, your milk coming in, the post birth healing, no sleep, the colic – it’s wild! It has actually been really confronting for me, because after giving birth myself, I felt like even the images that I had captured weren't a realistic enough representation of pregnancy, birth and motherhood. They no longer felt authentic. Motherhood is messy, it's raw, it's challenging, it's beautiful, it's the path of devotion – it's so many different things. I am currently trying to find a way to merge the two realities: real and raw, but beautiful and keepsake too.
Being a mother of three small children has left very little time for myself, but now that my youngest is two years old, I am finally finding my feet again. I thought I would be back working and creating a few months after giving birth, but what I had not anticipated was that wasn’t to be my journey. This has taught me to trust and have patience. Motherhood completely consumed me, but it has also made me incredibly present. The children change so much every day and it’s so fleeting – it really is a blessing and a privilege that I get to witness so much of this. Of course, it's bloody hard work too.
Travelling to new places always makes me feel inspired. I like vast, open spaces and places with lots of trees. However, I believe that creativity changes when you become a mother. It ebbs and flows throughout everyday life. What I have come to realise is that being a mother is creative. The tidying, the sorting, the folding, the curating of their bedrooms: the everyday mundanity of it all. Choosing what clothes to buy, thinking of each child's colours – Bart is red, black and dark blues, Summer, dark purple, browns and light pinks, Phoenix is light purples, brighter pinks and soft orange. I curate their toys, the books they read; I organise their shelves on their bunk beds, the photos on their walls. Everything has its place and has been thought about and I now realise – it comes from my creativity. My mother, my work, my photography and becoming a mother myself, for me, are all interconnected. They all weave the same golden thread.
My gosh, so much and I'm realising more and more each day: through the way she lived her life, how she held herself and how she mothered me. She taught me how to be a courageous, kind and a leopard-print loving woman. She was magnetic and had an amazing sense of humour – she always saw the bright side of things. Even when she was having her treatments, the chemotherapy, the operations – she would always find a silver lining and a way to laugh amongst it all. She absolutely loved life. I have yet to meet someone who loved living as much as she did, although her life was not easy. If you told her she couldn’t do something, she would prove you wrong. I see her influence in my work, in my photography, but also in the way I mother too. I hear her in me. She has shaped me as a woman and as a mother. Her death shattered me into pieces, but I now realise it was the making of me too. That is the hard truth. The life I now have, the work that I do, the way I mother my children – it's all because of her and what we went through. She exists in everything around me and everything that I do.
My mother had a small, old, fabric suitcase with compartments full of jewellery. When I was little, I always wanted to look through it, but I wasn’t allowed to look without her (I now say the same to my daughter too). We would sit there together and she would show me each piece and tell me its story. She would wear mostly beaded necklaces, amber, amethyst and turquoise. She had lots of rings too. She liked big, chunky, bold pieces. Jewellery with character, nothing too delicate or subtle. I believe that jewellery and clothes hold a person's essence the most, because they have touched their skin, and been worn close to their hearts – they carry their presence, smell and spirit.
If I had to choose just one piece, it would be the three bangles that she always wore for as long as I can remember. They are gold with patterns on each, from India I believe. She wore them all of the time – she never took them off. Because there were three, they jangled and danced together as she wore them, jingling against each other, a sound she wore, like her shadow. It was always there, following her, right beside her. I could hear her before I could see her. Now, sometimes I put them on to feel close to her, because for me, the bangles serve as a beautiful metaphor. As I wear them, they remind me that she is there, with me, like her spirit, every step of the way.
Visit oonaghbush.com to view more of her work.
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